St. Cloud by Waxahatchie is such a great record. Beautiful songs, bold performances, and the sound is amazing.
Due to a random Facebook post, i went deep, deep into a Cracker and Camper Van Beethoven hole. I’ve been listening to most of the older Camper records that i’ve loved for years and “discovering” the more recent Camper releases. The earlier stuff was both dumber and better than i remembered and i LOVED them at the time. But the more recent records are just great recordings. The songwriting is still distinctive, literate, funny and novelistic. They’re even better players now, balancing good, tasteful restraint with just enough showiness.
I kind of stopped listening to Cracker after Kerosene Hat for some reason, so i’m going through the Cracker catalog now and really enjoying getting to know the songs. New to me.
Lowery is one of my favorite writers. He’s way more than a musician; i keep hoping he’s going to turn to novellas, short stories or an autobiography.
I really enjoyed this three hour (!) podcast with two writers from the National Review (!). And the 300Songs.com site is new to me, but you can find a travelogue of sorts masquerading as blog telling the backstory of the Camper Songs.
Such a great idea. Kind of gimmicky, but still a good way to make an artistic statement via tech.
The app works by using Google Maps to identify areas that are forests (those that are shaded a specific green on the mapping system). Then, the coordinates are sent from your phone and that is what allows you to access the album. By releasing an album in such a way the band is offering listeners a unique and multi-sensory experience of their music whilst also encouraging people to go out and spend time in nature.
Microsoft Research Songsmith. imagine the parody possibilities. Was this part of the plan?
Anatomy of a Flop – Measure for Measure Blog – NYTimes.com.When i was 16, right after i got my drivers license, i would drive to downtown Green Bay, to the really, really rundown part, with my buddy Peter and he and i would go to a little store that rented out records. Can you believe that? Rented. Records. Good old vinyl for rent. With a wink and a nod, Stan (i can't believe i remember his name) would let me walk out the door with a clutch of discs and a smile to speed home, tape the things onto cassette, and then return the rental. Sometimes i'd round trip it in the same day and grab another record to tape. This was, very obviously – and even to a dumb-ass 16 year old – illegal. But, for the four or five months that it lasted, i got a bunch of good music.
This album by the DB's (Like This) is one of them that i loved the most. I don't remember all the songs anymore, but i bet i could sing most of them now, word for word. So, i was really glad to stumble across the link above, from the New York Times, written by Peter Holsapple. He may be better known to most of you as the trusty sideman for REM, but i'll always know him as the DB's guy.
(If you want a beautifully written, well performed, and incredibly well produced album, please do check out "Mavericks", by Holsapple and Chris Stamey. "She was the One" is the best song on there, "Angels" the hit. )
If you like this story from Holsapple, you should probably also check out Suzanne Vega's story about Tom's Diner and how she helped create the MP3 file format. Excellent writing…